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An outstanding
example of Italian silk embroidery on a 17th century mounted chalice veil.
The ground of
cream-colored silk, representing life, is worked in colored silks with
a symmetrical pattern of tulips and
other flowers springing from leafy stems all outlined with gold gilt thread.
Centered is the sun worked in
fine gold threads with a central flower rather than IHS, which is more
seen, making this veil less religious
in appearance. Edged with a gold torchon lace, mounted on a rich blue
silk and ready for hanging.
A Chalice veil was used to cover the chalice to prevent
dust and insects from coming in contact with the
bread and wine and were intended to show honor to the vessels used for
the sacrament.
An identical chalice veil can be seen in “Ornament
in European Silks” by Alan Cole, 1899.
Condition: Various small splits/missing
silk ground along two old fold lines. Candle wax along one side,
typical since candles were used during the services. Nothing that detracts
from the overall beauty due to
the abundant colored silk flowers and all of which are typical for the
age and use of the vestment.
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